Composed by Billy Strayhorn
Written in 1941 for Duke Ellington's Orchestra, Take the "A" Train became the band's signature tune. The piece is often attributed to Duke himself but history tells us Billy Strayhorn is the actual composer. At the time, there was an ongoing ASCAP strike, and Ellington could not release his own compositions. Strayhorn and Ellington's son were able to benefit from this and wound up releasing a number of their own compositions which Ellington would play.
The Nuts and Bolts
Take the A Train features the use of a G note (as a held note) for the first pitch of the piece, followed by another rather long G# note in bars 3 and 4. You might be wondering what that G# has to do with the key of C major. There are several explanations.
The most obvious reason is that G# is a relatively common passing note in the key of C. It resides chromatically between the fifth (G) and sixth (A) degrees of the scale. We often hear that G# (often written Ab) even in classical pieces, since it gives the dominant chord in the key a "dominant 7th flat 9" type of sound. In this particular case, that is G7b9.
But the G# in bars 3 and 4 of Take the "A" Train is played over a D7 chord, functioning as a II chord!
For the theory buffs out there: think of the G# as the #11 of the D7 chord
That D7#11 is the IV chord in A melodic minor, and as you might know, A melodic minor is closely related to our original key of C.
This tune is usually played as an up tempo swing. For this reason, it can be kind of difficult to play a nice chord melody with this tune at its original tempo, but you could do something slower or more rubato if you like!
Take the A Train: Comping Ideas
Here are some basic shapes that you can use to begin comping over this tune right away.
Take the A Train: Chord Melody
This tune doesn't really lend itself to chord melody playing as well as other tunes, but I figured we could try it and have some fun while we're at it.
This can get a bit tricky, so be sure to take your time with it!
Take the A Train: Single-Note Solo
Here we are making sure to hit that #11 on the D7 chord. It's a cool sound and definitely worth exploring.
Take the A Train: Backing Track
Here's a nice little backing track for you to work on some of the material covered here!
Take the A Train: Chord Reference Sheet
As always, we've added chord reference pages with shapes that you can use to comp over the whole tune.
-Oscar Peterson's Oscar Peterson Plays Duke Ellington album recorded and released in 1952. This take features a nice relaxed swing with the legendary Barney Kessel on guitar.
-Ella Fitzgerald's Ella Fitzgerald Sings the Duke Ellington Songbook recorded and released in 1957. This one features Duke himself and his orchestra. What a treat!
-Clifford Brown's Study In Brown recorded and released in 1955. Here, we get a chance to hear Clifford's wonderful take on it as he puts all of his virtuosic talents on full display.
-The Dave Brubeck Quartet's Jazz Goes to College album features a great take on this wonderful tune. In his usual relaxed stride, Brubeck's band offers up a great listening experience for this classic tune.
Marc-Andre Seguin is the webmaster, mastermind and teacher on JazzGuitarLessons.net, the #1 online resource for learning how to play jazz guitar. He draws from his experience both as a professional jazz guitarist and professional jazz teacher to help thousands of people from all around the world learn the craft of jazz guitar.
Up Next! More Interesting Jazz Guitar Materials for You:
In the sea of jazz...
With 2 comments
Autumn leaves is a famous...
With 2 comments
Before we begin: what...
With 2 comments