Must-Know Licks on II-V-I: Connecting the Dots with Extensions

Must-Know Licks on II-V-I: Connecting the Dots with Extensions

New Series of Hands-On Jazz Guitar Lessons! Welcome to our new series, “Hands on Jazz Guitar.” This is Volume #1 “Must-Know Licks on II-V-I — Connect the Dots with Extensions. This series aims to help you learn to play some solid jazz lines. The lesson comes in two forms, both this blog post and in the form of a video lesson from yours truly. Through … [Click Here to Read more]

Why We Need To Re-Think Jazz Performance

Why We Need To Re-Think Jazz Performance

Jazz is wondrous music. Jazz musicians who have never met each other before are able to come together. They can spontaneously create music using a common language. Individual performances are rarely the same because every performance is a reflection of each musician’s current state of being. The very fabric of musical language is woven, unraveled, and woven together again in ways that have never been … [Click Here to Read more]

5 Tips To Transcribe Any Solos You Wish To Learn

5 Tips To Transcribe Any Solos You Wish To Learn

Have you dreamt of playing the world’s best jazz solos? Do you drool with envy anytime you hear Joe Pass? While you’re far from alone in wanting to learn how to play and transcribe these solos, there’s only a number of ways to execute the process correctly. And there’s no doubt about it, transcribing solos is essential to learning the language of jazz. Do you … [Click Here to Read more]

Jazz Improvisation Pillar #2: Connecting Chords Logically

Jazz Improvisation Pillar #2: Connecting Chords Logically

Let’s continue our exploration of the 3 jazz improvisation pillars. In this blog post, we are going to learn about Pillar #2: connecting chords logically. “What does that mean?”, you may ask. It means that you aim to outline the changes from the current chord to the next one. Your single note lines should reflect the chord progression you play on. Also, you need to … [Click Here to Read more]

Jazz Improvisation Pillar #1: Define The Sandbox

Jazz Improvisation Pillar #1: Define The Sandbox

As you read in our last post, the first pillar of jazz improvisation consists of defining the sandbox. It may seem to be a no-brainer, but it is crucial to have a solid understanding of this principle. Your ultimate aim is to be able to play lines with 100% correct notes at the right moment and develop the ability to mentally switch chords. That is a … [Click Here to Read more]

The 3 Pillars Of Jazz Improvisation You Need To Know

The 3 Pillars Of Jazz Improvisation You Need To Know

Learning to improvise fluently in a “jazz style” is no small task. There is so much to consider! From common tools such as scales and arpeggios right on through to those magical musical ideas (produced in real time), we’re juggling many elements. This requires a very broad set of aural and technical skills. In short: learning jazz improvisation can be pretty darn challenging! 😃 And … [Click Here to Read more]

Top-5 Charlie Christian Solos

Top-5 Charlie Christian Solos

I’d like to share with you some examples of the Charlie Christian solos that resonate with me musically. There are many opinions to be shared amongst us jazz guitarists. One thing we all seem to agree on however, is that one of the first prodigies of jazz guitar is none other than Charlie Christian. As a guitar-playing teenager, I spent my time playing Rock-n-Roll music. Later … [Click Here to Read more]

How to Sound Jazzy with Altered Dominants

How to Sound Jazzy with Altered Dominants

You know the drill: as jazz players, we’re always looking for ways to add nice chromatic notes and altered dominants into our solos. So this lesson is yet another way to solve one of the most typical issues for beginning and intermediate jazz players, which is … How can I sound less inside when I solo? In this blog + video lesson, we’ll do just that … [Click Here to Read more]

George Benson Top-5 Solos

George Benson Top-5 Solos

Everyone will have a different set of parameters for defining and choosing their favorite solos by an artist. I’m not even sure that I can articulate my own reasons for picking these solos by George Benson as my TOP 5. But I’m going to try. My first exposure to to Benson (like about 9 billion other people) was his massively successful crossover album Breezin’ . … [Click Here to Read more]

Pat Metheny Top-5 Albums

Pat Metheny Top-5 Albums

Pat Metheny: Where to begin when talking about the recorded output of one of the most prolific jazz composer, improviser and recording artist of the last 40 years?!? By my favorite albums of course! In case you didn’t know, Metheny won 20 Grammys and three of his albums went gold. It’s hard to discuss such a jazz giant without forgetting to mention something important. Metheny … [Click Here to Read more]

Improvisation: Making the Changes on All the Things You Are

Improvisation: Making the Changes on All the Things You Are

The task of properly outlining chord changes (or “making the changes” in the jargon) in jazz improvisation can seem like a daunting one. On tunes such as All the Things You Are, you, (the improviser) can be confronted with several choices: arpeggios, scales, guide tones, memorizing licks, etc. But chords change go by so fast, that by the time you made up your mind, the … [Click Here to Read more]

Jazz Guitar Tips: Learn the Fretboard

Jazz Guitar Tips: Learn the Fretboard

In this first (of many) jazz guitar tips, let’s address something crucial for jazz guitarists: knowing the names of the notes on the entire instrument. In short, today’s jazz guitar tip is learn the fretboard! You’ll be glad you did. Let first see why (hey, I need to justify what we’re doing here!) and shortly after how (a technique) you can apply. Simple steps to learn the fretboard thoroughly, without too … [Click Here to Read more]