Creating Melodic Lines from Scales and Arpeggios

creating melodic lines - do not sound textbook

How not to sound like a textbook when you’re soloing You can get started creating your own melodic lines with simple scales and arpeggios immediately. It is so often understood in jazz improvisation that we are to play the “right” notes over various chords. And while we talk about and teach these “right” notes, we often forget to talk about how to use them! Today we … [Click Here to Read more]

Jazz Improvisation: The Ultimate Guide for Guitarists

The Ultimate Guide: Jazz Guitar Improvisation

Jazz Improvisation: How to Use Scales, Arpeggios and Guide-Tones for Jazz Guitar Jazz improvisation is the art of creating melodic lines spontaneously.  The rhythm, melody and harmony inspire jazz improvisation.  The goal of the jazz improviser is to invent lyrical, inspiring melodic content within the boundaries of harmony.  In fact, great jazz solos are often just outlining the chord changes effectively! Download ALL Sheet Music … [Click Here to Read more]

The Definitive Guide to Scale Positions for Jazz Guitar

Definitive Guide to Scale Positions for Jazz Guitar

How Jazz Guitarists Memorize the Fretboard with Basic Positions and Patterns Scale positions are the “meat and potatoes” of jazz guitar scales playing. Any melodic idea can be analyzed and explained on the fingerboard as belonging to one or more positions. In this article you will learn to properly place your hand on the fingerboard, understand the fingering principles and finally, learn jazz guitar scales in … [Click Here to Read more]

Warp Time to Run The Changes

How to Manipulate Time Using Your Jazz Guitar! Welcome to volume three in our series, “Hands-On Jazz Guitar.” This new episode is all about “Warp Time Using Your Jazz Guitar.”   This series aims for you to learn how to play solid jazz lines. Working through jazzguitartlessons.net transcriptions, we’re finding some great and interesting ideas for you. Today, we take a straightforward line, then find ways to … [Click Here to Read more]

Commit: A Reason to Believe

Commit: Your Reason To Believe.

All too often, up-and-coming students of jazz guitar wind up feeling confused and overwhelmed. There’s so much to learn online (and off!), and so little time! Websites such as this one are trying to help. But … sometimes, the avalanche of information is hard to ignore. 😉 As a jazz guitar instructor, it’s my duty to provide clarity for everyone who’s enthusiastic about learning and … [Click Here to Read more]

Jazz Improvisation Pillar #2: Connecting Chords Logically

Jazz Improvisation Pillar #2: Connecting Chords Logically

Let’s continue our exploration of the 3 jazz improvisation pillars. In this blog post, we are going to learn about Pillar #2: connecting chords logically. “What does that mean?”, you may ask. It means that you aim to outline the changes from the current chord to the next one. Your single note lines should reflect the chord progression you play on. Also, you need to … [Click Here to Read more]

Jazz Improvisation Pillar #1: Define The Sandbox

Jazz Improvisation Pillar #1: Define the sandbox

As you read in our last post, the first pillar of jazz improvisation consists of defining the sandbox. It may seem to be a no-brainer, but it is crucial to have a solid understanding of this principle. Your ultimate aim is to be able to play lines with 100% correct notes at the right moment and develop the ability to mentally switch chords. That is a … [Click Here to Read more]

The 3 Pillars Of Jazz Improvisation You Need To Know

The Three Pillars of Jazz Improvisation

Learning to improvise fluently in a “jazz style” is no small task. There is so much to consider! From common tools such as scales and arpeggios right on through to those magical musical ideas (produced in real time), we’re juggling many elements. This requires a very broad set of aural and technical skills. In short: learning jazz improvisation can be pretty darn challenging! 😃 And … [Click Here to Read more]

Introduction to Bird Blues for Jazz Guitar

Bird Blues intro for jazz guitar

Ever been to a jam session where someone (read a alto sax player) calls a Bird Blues? Oh that embarrassing moment! The Bird Blues, a.k.a (Charlie) Parker Blues a.k.a. Major Blues a.k.a. Blues with New York Changes a.k.a _______ (insert yours here) is a very common 12-bar form perform by jazz musicians since the bebop era. Prime examples of this type of chord progression are found in jazz tunes … [Click Here to Read more]

Charlie Christian Untold

charlie christian untold

What can be said about Charlie Christian that hasn’t already been dutifully noted in the jazz guitar log book? A light that shone brightly and briefly, his death at the age of 25 left a frustratingly small discography that fans have pored over in detail while extracting as much information as possible. His groundbreaking playing and concepts laid the path for all future practitioners of … [Click Here to Read more]

How to Sound Jazzy with Altered Dominants

How to sound jazzy using altered dominants

You know the drill: as jazz players, we’re always looking for ways to add nice chromatic notes and altered dominants into our solos. So this lesson is yet another way to solve one of the most typical issues for beginning and intermediate jazz players, which is … How can I sound less inside when I solo? In this blog + video lesson, we’ll do just that … [Click Here to Read more]

4 Effective Bebop Scales Fingerings

4 effective bebop scale fingerings

In this lesson we’ll be covering the essentials of bebop scales for jazz guitar. We’ll explore four useful, relevant and fun bebop scales fingerings. As a result, your playing will be enhanced by more jazz-like phrasing using several natural and flowing fingering patterns. Why Bebop Scales? Well, at some point in their development, jazz improvisers usually get tired of fitting the right scales over chords, like Dorian, Mixolydian, … [Click Here to Read more]

Jazz Guitar Blues: How to Sound Jazzy with the VI Chord

Jazz Guitar Blues Lessons: vi chord

In this blog, we’ll work on the three (most interesting) jazz guitar blues possibilities to make your blues playing sound … well … jazzier! The VI chord, found in bar 8, can really help define the harmonic progression of the jazzier types of blues in your soloing. Let’s get going! Get “Jazz Guitar Blues Six Chord Lesson” PDF Where’s that VI chord? We all know … [Click Here to Read more]

Powerful Back to Basics: 3 Awesome Jazz Blues Fundamentals

Back to Basics - Jazz Guitar Blues

This is more of a “ready fire aim” type of blog post on jazz blues improvisation for jazz guitarists. Highly recommended: download the following backing track, read some of the suggestions and get cracking. If I were you, I’d even read the post with the guitar on my lap. 😉 At first, take the time to understand what the three exercises are all about.  Each … [Click Here to Read more]

Jazz Guitar Tips: Learn the Fretboard

learn the fretboard modern method for Guitar A rhythm changes guide and Putting it all together quartal harmony position playing

In this first (of many) jazz guitar tips, let’s address something crucial for jazz guitarists: knowing the names of the notes on the entire instrument. In short, today’s jazz guitar tip is learn the fretboard! You’ll be glad you did. Let first see why (hey, I need to justify what we’re doing here!) and shortly after how (a technique) you can apply. Simple steps to learn the fretboard thoroughly, without too … [Click Here to Read more]

Diagonal playing: Fingerings for Dorian mode [Q&A]

Jazz Guitar Diagonal Scales and Diagonal Playing

Question by Gustav Wessberg (Gothenburg, Sweden) Hi there! I am very thankful for you having done lessons on diagonal playing. I just have question: When I play G major I shift between F# and G with my index. If I want to play A dorian, should I still use the index (F# to G) shift? Or should I use a new fingering? Should I start … [Click Here to Read more]