iii-vi-ii-V Jazz Guitar Lick

Hands-On 8 - Playing Over Turnarounds

Playing Over Turnarounds The goal of this series is to actually put a lick under your fingers. Here, there’s no more searching for ideas in the sea of jazz theory information. We’ll give stuff you need to play and be creative. Today, we’re going to discuss playing over turnarounds.  Let’s get started on the concept! Lick Example Today’s idea is taken from the February 2016 … [Click Here to Read more]

Major to Minor Jazz Guitar Lick

Hands On #7 - Major to Minor Jazz Guitar Lick

Voice Leading Within the Lines Our aim is to give you ideas as well as some tools to help you develop them further. You’ll get them under your fingers without needing to get too intellectual about the process. Of course, there is some thinking involved, but we’ll try to make it easy for you. Here, we will be going over a major to minor jazz … [Click Here to Read more]

Augmented Jazz Reality

augmented jazz licks - featured image

More Parallel II-V-I Lines Welcome back to our new series, “Hands-On Jazz Guitar.” Today’s lesson is called “Augmented Jazz Reality” as we will be discussing using augmented triad licks to get some fresh, hip sounds in your improvisation. Download ALL of the licks here: “More Parallel ii-V-I Lines” PDF (includes TAB)  We’re going to put some nice jazz guitar lines under your fingers without being … [Click Here to Read more]

Creating Melodic Lines from Scales and Arpeggios

creating melodic lines - do not sound textbook

How not to sound like a textbook when you’re soloing You can get started creating your own melodic lines with simple scales and arpeggios immediately. It is so often understood in jazz improvisation that we are to play the “right” notes over various chords. And while we talk about and teach these “right” notes, we often forget to talk about how to use them! Today we … [Click Here to Read more]

Jazz Improvisation: The Ultimate Guide for Guitarists

The Ultimate Guide: Jazz Guitar Improvisation

Jazz Improvisation: How to Use Scales, Arpeggios and Guide-Tones for Jazz Guitar Jazz improvisation is the art of creating melodic lines spontaneously.  The rhythm, melody and harmony inspire jazz improvisation.  The goal of the jazz improviser is to invent lyrical, inspiring melodic content within the boundaries of harmony.  In fact, great jazz solos are often just outlining the chord changes effectively! Download ALL Sheet Music … [Click Here to Read more]

Jazz Improvisation Pillar #2: Connecting Chords Logically

Jazz Improvisation Pillar #2: Connecting Chords Logically

Let’s continue our exploration of the 3 jazz improvisation pillars. In this blog post, we are going to learn about Pillar #2: connecting chords logically. “What does that mean?”, you may ask. It means that you aim to outline the changes from the current chord to the next one. Your single note lines should reflect the chord progression you play on. Also, you need to … [Click Here to Read more]

Jazz Improvisation Pillar #1: Define The Sandbox

Jazz Improvisation Pillar #1: Define the sandbox

As you read in our last post, the first pillar of jazz improvisation consists of defining the sandbox. It may seem to be a no-brainer, but it is crucial to have a solid understanding of this principle. Your ultimate aim is to be able to play lines with 100% correct notes at the right moment and develop the ability to mentally switch chords. That is a … [Click Here to Read more]

Improvisation: Making the Changes on All the Things You Are

Make the Changes on All the Things You Are

The task of properly outlining chord changes (or “making the changes” in the jargon) in jazz improvisation can seem like a daunting one. On tunes such as All the Things You Are, you, (the improviser) can be confronted with several choices: arpeggios, scales, guide tones, memorizing licks, etc. But chords change go by so fast, that by the time you made up your mind, the … [Click Here to Read more]