A Jazz Guitar Lesson
The harmonic minor scale is commonly used by jazz musicians. It has a darker “Arabic” sound because of the lowered third and sixth degrees (when compared to major). It has been used, much like the major scale, in traditional and classical music for centuries.
In Jazz music, the harmonic minor scale can be heard a lot on minor II-V-I cadences, or used when some kind of altered dominant chords are used. For instance, the chord G7(b13, b9) comes straight from C harmonic minor scale!
On the guitar, this scale can be played in the open position like this:
Also, I strongly believe you should learn to really hear the sound of this scale, specifically the leap (between the Ab and the B notes above). Understanding the theory is optional in the beginning. I suggest you play and learn this scale from an aural perspective at first.
Also, it is highly common for jazz guitarists to sing along to their playing. Try it! It helps to reinforce the link between your fingers (what you play) and you ears (what you hear inside.)
The harmonic minor scale is built of seven notes that are laid out using intervals. The half-step interval is one fret away, the whole step is two frets away and the minor third is three frets. The minor third can also be qualified as “three half-steps” or “a whole step and a half”.
The formula for the construction is:
W H W W H -3 H
(W= whole-step, H=half-step, -3=minor third)
The numeric formula is: 1 2 b3 4 5 b6 7
(it means that in comparison to the major scale, the harmonic minor scale has a b3 and b6)
The lowered third degree gives the “sadness” in the sound. The b6 on the other hand gives “brightness” because it creates a leap to the seventh degree. It easy to “see” when played on a single string. Remember, the formula for the major scale is 1 2 3 4 5 6 7 while the formula for the melodic minor scale is 1 2 b3 4 5 6 7.
Finally, the harmonic minor scale can also be played “in position” (one finger to a fret). This is usually what is taught in guitar methods. It is a very good way to “compartmentalize” the neck. You will get familiar with the whole instrument dealing with it chunk by chunk.
My two cents: unlike the major scale (which is really easy to play in positions, see this article series), the harmonic minor scale will give you some problem. It is the leap between the degrees b6 and 7 that create headaches. So, whenever something does not quite “fit” in position, feel free to go out of the scale position and find comfortable fingerings that work for you.
Get the feel and sound of this scale into you ears and fingers. Then make sure you check out the major scale (very important, as it is our foundation) and then the melodic minor scale (a little brother of harmonic minor).
Furthermore, advanced theory: here’s a very typical chord that stems for the harmonic minor scale (the dominant b9 b13 mentioned earlier). Also see how to construct modes for major, harmonic minor and melodic minor scales here…
Also, feel free to check out the “How to Improvise on the Minor II-V-I Progression” mini-guide here.