Top Secret Tool for Improv

Top Secret Tool for Improv

Easy Parallel Motion Lines Welcome to video number 2 in our series Hands-On Jazz Guitar. The goal of this series is to have do some “hands-on” playing. So often, we intellectualise the process of learning jazz. Here, we do both: playing, and learning. The lesson comes in two forms, both this blog post and in the form of a video lesson from yours truly. Today’s line … [Click Here to Read more]

Must-Know Licks on II-V-I: Connecting the Dots with Extensions

Must-Know Licks on II-V-I: Connecting the Dots with Extensions

New Series of Hands-On Jazz Guitar Lessons! Welcome to our new series, “Hands on Jazz Guitar.” This is Volume #1 “Must-Know Licks on II-V-I — Connect the Dots with Extensions. This series aims to help you learn to play some solid jazz lines. The lesson comes in two forms, both this blog post and in the form of a video lesson from yours truly. Through … [Click Here to Read more]

The Ultimate Guide to Dominant Chords for Jazz Guitar

The Ultimate Guide to Dominant Chords for Jazz Guitar

A lot of new guitarists have been asking what dominant chords are, and in its simplest manner, I will walk you through the very basic fundamentals of this. In music theory, a dominant seventh chord, or major minor seventh chord, is a chord composed of a root, major third, perfect fifth, and minor seventh. It can also be viewed as a major triad with an additional minor seventh. The shortcut? Dominant … [Click Here to Read more]

Barry Galbraith Comping Studies

Ok, let’s do this! In September 2017, yours truly decided to take the bull by the horns and shoot videos for each one of the fantastic Barry Galbraith comping studies in this book: The caveat? One study shot in video format every two weeks or so. You’re more than welcome to join me in this challenge! The Videos – YouTube Playlist Schedule Shiny – September 8 – Shiny … [Click Here to Read more]

Walking Dominant 7th Chords With Diatonic and Chromatic Passing Chords

Walking Dominant 7th Chords With Diatonic and Chromatic Passing Chords

Move Between Chords by “Walking” Walking chords are to jazz guitar comping what walking bass is to a bass line. The focus of the lesson will be to play chords in a “walking” fashion on the fretboard. I’m not talking about walking bass lines with added chords here. I really want to approach something jazz pianists commonly do (hear how Monk does it). Its (basically) … [Click Here to Read more]

Learning Path: Coming Soon!

The JazzGuitarLessons.net Learning Path is coming soon… But now, I have a little favor to ask you … If you would find such a learning path page useful on JazzGuitarLessons.net, please write an email to admin@jazzguitarlessons.net (with the words Learning Path in the subject line) to let us know: What you’d want a learning path to look and feel like; If you have seen examples on the web you can forward … [Click Here to Read more]

Commit: A Reason to Believe

Commit: A Reason to Believe

All too often, up-and-coming students of jazz guitar wind up feeling confused and overwhelmed. There’s so much to learn online (and off!), and so little time! Websites such as this one are trying to help. But … sometimes, the avalanche of information is hard to ignore. 😉 As a jazz guitar instructor, it’s my duty to provide clarity for everyone who’s enthusiastic about learning and … [Click Here to Read more]

Jazz Improvisation Pillar #1: Define The Sandbox

Jazz Improvisation Pillar #1: Define The Sandbox

As you read in our last post, the first pillar of jazz improvisation consists of defining the sandbox. It may seem to be a no-brainer, but it is crucial to have a solid understanding of this principle. Your ultimate aim is to be able to play lines with 100% correct notes at the right moment and develop the ability to mentally switch chords. That is a … [Click Here to Read more]

The 3 Pillars Of Jazz Improvisation You Need To Know

The 3 Pillars Of Jazz Improvisation You Need To Know

Learning to improvise fluently in a “jazz style” is no small task. There is so much to consider! From common tools such as scales and arpeggios right on through to those magical musical ideas (produced in real time), we’re juggling many elements. This requires a very broad set of aural and technical skills. In short: learning jazz improvisation can be pretty darn challenging! 😃 And … [Click Here to Read more]

2016: A Year in Review

2016: A Year in Review

Our plan for the website before getting to work this past year was pretty straightforward: let’s just do more of the same! That meant publishing more great blog posts, more video-lessons and more podcasts. In addition, we aimed each month to produce brand new premium (paid) content in the store. By the way, notice how the “I” just turned to “we” at the beginning of … [Click Here to Read more]

How to Play What You Hear for Jazz Guitarists

How to Play What You Hear for Jazz Guitarists

In this short video and blog lesson, we’ll discuss three ways to play what you hear as jazz guitarists. First, some tips about improvising using pre-set constraints. Secondly, we’ll talk about playing what you sing or singing what you play. Lastly, we will show you an exercise using vivid aural imagination. Let’s get going. Play What You Hear Tip #1: Reduce the Constraints! The first tip … [Click Here to Read more]

Introduction to Bird Blues for Jazz Guitar

Introduction to Bird Blues for Jazz Guitar

Ever been to a jam session where someone (read a alto sax player) calls a Bird Blues? Oh that embarrassing moment! The Bird Blues, a.k.a (Charlie) Parker Blues a.k.a. Major Blues a.k.a. Blues with New York Changes a.k.a _______ (insert yours here) is a very common 12-bar form perform by jazz musicians since the bebop era. Prime examples of this type of chord progression are found in jazz tunes … [Click Here to Read more]

Meditative Rhythms: The Ultimate Jazz Guitar Warm Up Exercise

Meditative Rhythms: The Ultimate Jazz Guitar Warm Up Exercise

In this blog post and video we’ll look into an exercise that is very simple. It’s called meditative rhythms. In my humble opinion, this is the most effective jazz guitar warm up there is! Ready? Jazz Guitar Warm Up: Meditation? Meditative Rhythms is a term borrowed from David Berkman, a jazz pianist and educator in New York. I’ve modified his exercise to suit my taste and … [Click Here to Read more]

Five Chord Melody Tips and Stuff for Jazz Guitarists of ALL levels

Five Chord Melody Tips and Stuff for Jazz Guitarists of ALL levels

Here’s a straightforward and easy to apply lesson to perk up your chord melody playing. Here are five tips for jazz guitarists of all levels regarding the fine art (and science) of playing harmony and melody simultaneously on the guitar. The Pain Points: In Summary Problem #1: Your chord melody sound like just a “bunch of chords” one after another. Solution: Make the melody a priority. Phrase the … [Click Here to Read more]

How to Sound Jazzy with Altered Dominants

How to Sound Jazzy with Altered Dominants

You know the drill: as jazz players, we’re always looking for ways to add nice chromatic notes and altered dominants into our solos. So this lesson is yet another way to solve one of the most typical issues for beginning and intermediate jazz players, which is … How can I sound less inside when I solo? In this blog + video lesson, we’ll do just that … [Click Here to Read more]

The Jazz Guitar Comping Video Lesson of Your Dreams

The Jazz Guitar Comping Video Lesson of Your Dreams

Oh yeah! This is exciting. Time for  the jazz guitar comping video lesson of your dreams.  No kidding! The Gist of It Problem: jazz guitar apprentice is seeking to get better at jazz guitar comping Solution: first reflex is to try and learn more jazz guitar chord shapes. Which does not work, by the way … it leads to more confusion. Alternative: Learn to approach comping from a … [Click Here to Read more]

4 Effective Bebop Scales Fingerings

4 Effective Bebop Scales Fingerings

In this lesson we’ll be covering the essentials of bebop scales for jazz guitar. We’ll explore four useful, relevant and fun bebop scales fingerings. As a result, your playing will be enhanced by more jazz-like phrasing using several natural and flowing fingering patterns. Why Bebop Scales? Well, at some point in their development, jazz improvisers usually get tired of fitting the right scales over chords, like Dorian, Mixolydian, … [Click Here to Read more]

3 Ways to Add Chromaticism for Jazz Guitarists

3 Ways to Add Chromaticism for Jazz Guitarists

How to add more chromaticism to your improvised lines? This is a fascinating topic, and a popular one too! Lots of students, online and off, have been asking about chromatic lines and fluidity. In this blog, we’ll discuss three straight-forward way you can integrate more chromatic-sounding melodic lines in your improvisation. Adding Chromaticism: Download Your PDF This is a rather “big lesson”, so I’ve included … [Click Here to Read more]

How to Play Shell Voicings for Jazz Guitar (3-Note Chords)

How to Play Shell Voicings for Jazz Guitar (3-Note Chords)

Shell voicings for jazz guitar are one of the greatest ways to either go back to basics (to better understand harmony on the guitar) or, plainly, to get started comping. So, forget about memorizing tons of chord shapes. You simply need a few basic chord shells (commonly called shell voicings, or shell chords). Ready? Shell Voicings (3-Note Chords): But Why? As an analogy, shell voicings … [Click Here to Read more]

Jazz Guitar Albums: 5 Essential Must-Have Recordings You Should Listen To Now

Jazz Guitar Albums: 5 Essential Must-Have Recordings You Should Listen To Now

The Ultimate Selection of “the best of the best” Essential Jazz Guitar Albums, Old and New Sure, there’s thousands of great albums that have been recorded to this day. But some legendary jazz guitarists have that universal sound that reaches and touches people deeply. If you’ve ever been “grabbed” by the sound of one album, then you know exactly what I mean. So, here’s my own … [Click Here to Read more]

Jazz Guitar Chords for Beginners: The Drop 2 Chords Challenge

Jazz Guitar Chords for Beginners: The Drop 2 Chords Challenge

Here’s a short blog + video lesson on easy drop 2 chords for jazz guitar beginners. Or, as I call it, “The Drop 2 Challenge”. Generally, when jazz guitarists comp (that is, when playing comping a.k.a chords acCOMPaniment), they don’t always use barre chords. Or chords with the root in the bass for that matter. To gain more liberty, the intermediate players will gain lots of … [Click Here to Read more]

Pat Metheny Untold

Pat Metheny Untold

Pat Metheny is one of my favorite jazz guitarists. We can hear, in a certain way, that he’s next in line in the tradition of Wes Montgomery and other mainstream jazz outfits that fizzled into other grooves in the late sixties, such as Miles Davis. Metheny is a “case in point” so to speak in so many areas of his musical career, that it was … [Click Here to Read more]

Wes Montgomery Untold

Wes Montgomery Untold

The great jazz guitarist Wes Montgomery requires no introduction. He single-handedly forged a jazz guitar sound that is still imitated and revered to this day. Jazz guitarists and musicians have lots to learn from him, and I wouldn’t be surprised if his influence continues over several generations of artists in the future. So, in short, Wes is probably the greatest jazz guitarist of all times. … [Click Here to Read more]

Jazz Guitar Blues: How to Sound Jazzy with the VI Chord

Jazz Guitar Blues: How to Sound Jazzy with the VI Chord

In this blog, we’ll work on the three (most interesting) jazz guitar blues possibilities to make your blues playing sound … well … jazzier! The VI chord, found in bar 8, can really help define the harmonic progression of the jazzier types of blues in your soloing. Let’s get going! Get “Jazz Guitar Blues Six Chord Lesson” PDF Where’s that VI chord? We all know … [Click Here to Read more]

Pat Metheny Top-5 Albums

Pat Metheny Top-5 Albums

Pat Metheny: Where to begin when talking about the recorded output of one of the most prolific jazz composer, improviser and recording artist of the last 40 years?!? By my favorite albums of course! In case you didn’t know, Metheny won 20 Grammys and three of his albums went gold. It’s hard to discuss such a jazz giant without forgetting to mention something important. Metheny … [Click Here to Read more]