Is jazz improvisation a big mystery to you? Do have questions as to "what notes are good" when soloing? Use this handy jazz scales reference chart to learn the most common sounds in jazz ...
The System
Using formulas is the best and most convenient way to write down, read, learn and memorize jazz scales. We use numbers instead of notes so you can easily apply the scale formula starting on any note...
The basis for the system of notation is the major scale structure.
This : C D E F G A B (1)
Becomes : 1 2 3 4 5 6 7 (1)
I know this has been posted everywhere on this website... but, I repeat :
The Major Scale IS the prime reference
for building all the other scales!
At first, you should learn the jazz scales that are very closely related to the major scale (because they have only one or two note difference.)
Later, you'll be able tackle more challenging formulas (other more complex jazz scales) with a solid foundation. If you have any kind of question, please ask it here (at the bottom of the page).
Please note :
Memorizing the three basic formulas is primordial. Then spell out the major, mixolydian (dominant) and minor (dorian) scales. I mean, recite the names of the note out loud! This helps a lot.
If you do all three scales from root C, it goes like this...
C D E F G A B
C D E F G A Bb
C D Eb F G A Bb
I stronly suggest that you pick *one* of the three scale and recite it in all the 12 keys. See this page for different cycles you can practice with (including the invaluable cycle of fourths).
All memorized? Let's go practice the three basic jazz scales on your instrument now!
To learn these three jazz scales well, you have to think about the following at all times :
-Go slowly;
-Maintain a good sound on each note;
-Knowing exactly what scales / notes your are playing!
-Listen closely to the result.
Practice Steps : (pick one of the three jazz scales)
More Practice Steps
-Now mixing the three scales together : practice the Dorian, Mixolydian in Major jazz scales together in the context of the II-V-I progression.
For example :
Dm7 - G7 - Cmaj7 (this is a II-V-I in C major)
Play D dorian (minor) ascending and descending
then G mixolydian (dominant) ascending and descending
then C major ascending and descending
repeat with just the ascending version
... and just the descending version...
and then repeat with a the II-V-I progression in all the remaining keys...
Gm7 - C7 - Fmaj7
Cm7 - F7 - Bbmaj7
Fm7 - Bb7 - Ebmaj7
Bbm7 - Eb7 - Abmaj7
Ebm7 - Ab7 - Dbmaj7 .... (or D#m7 - G#7 - C#maj7)
Abm7 - Db7 - Gbmaj7 .... (or G#m7 - C#7 - F#maj7)
C#m7 - F#7 - Bmaj7
F#m7 - B7 - Emaj7
Bm7 - E7 - Amaj7
Em7 - A7 - Dmaj7
Am7 - D7 - Gmaj7
Congratulations! If you can play the above suggestions well enough, your jazz language can develop in many beautiful ways (in phrasing, ornamentations, licks, etc.) Learning, memorizing and playing those three basic jazz scales can get you very far in jazz improvisation.
Please ask you question(s) below (scroll down).
Do you have a question about anything discussed in this article? Ask it here! It will be answered soon.
Click below to see other visitors' questions (and answers) to this page. Feel free to add comments and or answer the questions yourself ...
Why modes? You say to play a D Dorian mode over the ii chord in a ii-V-I. Isn't D Dorian the same thing as C Major, just starting and ending on a different note? Thanks!...
Books for reference
Hi, I'm learning a lot with your lessons. Now, I'm about to apply the major, mixo and minor scales on a progression II V I.
Can you recommend me any ...
Guide Notes
This is for the PIANO. To improvise with Guide Notes of the scale of the Chord. What advice can you offer??
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M-A's Answer :
Please see the jazz ...
Practicing Scales by Position
Since I am not sure of the fingering you want to be used I will give you my interpretation and wait to be corrected!
Would it be best to practice the ...
Jazz Guitar Chords and Jazz Harmony