Outlining Chord Changes
Here are a few of my favorite jazz guitar licks. What I like the most about them is they outline the harmony clearly. Study them carefully and they’ll find a way into your playing.
All licks on this page are based on the Outline No.1 in major, as explained in Connecting Chords with Linear Harmony (by Bert Ligon)
Enjoy (and don’t forget to practice your licks in all keys, through chord cycles!)
Generic II-V Jazz Guitar Licks
This first lick is a classic. It’s shown in different keys to cover other string sets. See the note below. It’s possible to move this one around and add the b9 to the V chord. You may have to change the fingerings if you add the b9 though.
This next lick is very similar to the previous one. The triplet figure and ending are different though. Again, it’s taken in a few keys to demonstrate possible string transference. See the note below.
A Note About Different String Sets
Did you notice that the two jazz guitar licks above are presented on several different string sets?
For all following licks, I highly recommend that you go through the same process on your own. Play the licks in different key to see how you can finger them on different string sets. It’s useful … as in VERY necessary.
More Jazz Guitar Licks
More licks, now from jazz recordings, based on the Outline No.1 in major, as explained in Connecting Chords with Linear Harmony (by Bert Ligon). You want to check out that book, it changed my life. Seriously!
Notice how the circled notes form a descending version of F major scale (starting on Bb).
And one last one for the road. Can you identify what bebop piece it came from?
Did you guess it? That’s right: Scrapple from the Apple is the tune in question