This first lick is a classic. It's shown in different keys to cover other string sets* (See the note below).
It's possible to move this one around and add the b9 to the V chord. You may have to change the fingerings if you add the b9 though.
This next lick is very similar to the previous one. The triplet figure and ending are different though. Again, it's taken in a few keys to demonstrate possible string transference* (See the note below).
[*Note : For all following licks, I highly recommend that you go through the same process. Play the licks in different key to see how you can finger them on different string sets. It's useful ... as in VERY necessary.]
More licks, now from jazz recordings, based on the Outline No.1 in major, as explained in Connecting Chords with Linear
Harmony (by Bert Ligon). You want to check out that book, it changed my life!
Notice how the circled notes form a descending version of F major scale (starting on Bb).
And one last one for the road.
Can you identify what bebop piece it came from?
[Did you guess it? Scrapple from the Apple is the tune in question]