I'm in a band that contains piano, bass, drum, a singer, and me on guitar. I'd like to spice up my comping (which I do mostly with guide tones) with imitating a horn section!
When comping, it's best not to think of 4 beats to the bar, or 3 beats to the bar. It's far better to syncopate your rhythms by mixing the up-beats of the notes with the down-beats. In other words, you don't have to play on every beat. Also, use the upper partials of the chord rather than full 5 or 6 string combinations. This makes the chord transitions easier and faster.
Sep 22, 2011
Advice by: Marc-Andre Seguin (admin)
Hello Steve,
In very brief, I would advise you to :
-Keep it simple / repetitive like horn sections do.
-Focus on rhythms (the groovier the better)
-Use only 2 or 3 notes at a time.
You have to keep in mind that even if you work a lot on this "concept", it will be impossible to sound even a little bit like a horn section. The main disadvantage (I find) of the guitar in comping situation is the lack of sustain.
Horn players can control their individual attacks, decays, swells, shakes/vibrato (etc.) all on their instrument *individually*. (-:
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